Artistic Social Justice Media

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“On the Pulse of Morning” by Maya Angelou

A friend sent me a beautiful quote today regarding my artwork.

“We cannot undo the past, but we can recognize what has happened and why. To ignore past misdeeds is to condone them, if only by silence; to acknowledge past misdeeds is to educate, and to educate is to prepare the way for a better tomorrow. Historical tragedies must not be forgotten but kept alive in our individual and collective historical memories as tangible reminders of what can never be allowed to happen again.

History, despite its wrenching pain,
Cannot be unlived, but if faced
With courage, need not be lived again.”

Justice For Some? Art Exhibit At Art Access Gallery

Justice for Some?

To honor  my murdered friends, Ted Fields and David Martin, I hope to do my part to heal racism. I joined Brolly Arts  and Art Access Gallery for an art exhibition called Justice For Some? Amy McDonald, Brolly Arts, and Sheryl Gillilan, Art Access Gallery, both executive directors respectively, were so supportive of public acts of creative healing.

This exhibit opened with the most talented brave dancers who performed every 30 minutes for 3 hours. They sought to bring awareness to human rights issues that plague our society. The performers spoke about their personal journeys. It was so moving and powerful. Everyone involved in this project was a light of beauty.

Justice For Some? is the evolution of many Justice For Some? pilot projects that have included workshops, community outreach and performance. 2013
Justice For Some? offers a model that is replicable in other settings for populations and issues.

The components of Justice For Some? included choreography by Sofia Gorder and performance by dancers and Westminster College students, the Drum Bus whose focus is on bullying, and an installation by the authors of “What I Thought I Saw”. Carla Kelley of the Human Rights Education of Utah
workshopped with cast members prior to the event.

Justice For Some? is the evolution of many Justice For Some pilot projects that have included workshops, community outreach and performance. 2013
Justice For Some? offers a model that is replicable in other settings for populations and issues. This valuable model can be used to help bring the
awareness and information to a wide array of people, locations, and situations.  The content of the program, workshops, discussions, and movement can be tailored to suit the needs and interests o the communities being served.

I dream of my beloved Granny when I create this art. I know that she and many of my ancestors walk with me as I descend into hell to retrieve my voice.

I used the newspaper articles that broke me at the time of the murders. I always avoided reading them. While I was creating my art I read many news articles for the first time. My parents shielded me from them when I was a child. I heard about them but didn’t read them. If I am honest with myself I chose not to read them because I knew it would be too painful. It took a long time to read them and process what I feel about them. I feel broken sometimes by them.

My PTSD has been hitting me hard lately. I have literally lost my memory FOR WORDS in mid sentence as I am talking to people. It usually only lasts for as long as it takes to breathe one breath. But it scares the hell out of me when it happens. I wondered if I was having a stroke. My migraines, loss of appetite or relentless vomiting and night terrors were amped up substantially.

But I have to keep moving towards the finish line. This is a very challenging journey to explain to people in words. It seems that my art communicates more clearly if I use the words of the news print at the freshest time of the murders.

As I created these pieces, I thought about my favorite Goddess story. It is eerily accurate in describing my world right now. It was written thousands of years before the bible.

“Inanna was the beautiful goddess of heaven and earth. She blessed people and their crops. She introduced the moon and the sun every day. She was loved and revered by all. One day she decided that she would go to the underworld to visit the ruler, her sister Ereshkigal.

She dressed in her finest jewels and gold, things of sentimental importance. As she descended into the earth she would come upon a gate. At each gate she was asked to give an offering to proceed. She entered the 7th gate naked. When she tried to embrace her sister she was killed by her.

Inanna was hung on a hook for three days while her sister joyously celebrated her death. For it wasn’t only the death of Inanna, it was the death of the earth and the heavens.

On the third day Inanna awoke. She emerged from the underworld that could not contain her. She was stronger and more powerful from the lessons she learned at each gate.”

I am at the 7th gate and there is no turning back.

See the links below for  info for Brolly Arts, Art Access Gallery and articles from the media.

Home

http://www.accessart.org/news-a-publications/press-coverage/item/218-terry-jackson-mitchell-salt-lake-tribune-july-7-2013

http://www.sltrib.com/sltrib/news/56549960-78/jackson-mitchell-art-black.html.csp

http://www.dailymail.co.uk/news/article-2358140/White-survivor-Joseph-Paul-Franklin-tells-guilt-murdered-attack-took-lives-black-friends.html

Sorting a race war with ‘molecules from the stars’

That Which Was Evil Was Made Good

Writing and Justice Conference

I joined the wonderful group of people who created this conference partly because of  Charlotte Howe’s commitment and enthusiasm for the project. But after meeting Katie and the students I was even more happy to be a part of it. I have a special place in my heart for social justice because of my experience of racism and violence as a child.

The weekly classes were great brainstorming sessions. The students were so bright and engaged. I would leave thinking about something new and thought provoking. The concept of public collective joy building a sense of community is so simple and important. I think deep down we know this but we talk ourselves out of it because of feeling foolish or too busy for such frivolity. But being around people who just wanted to share joy and positive energy was such a boost to my level of happiness. It was contagious and it is reinvigorated in me every time I think about the crowd dance  or Ashley and Nathen’s performance. By the way, I felt a tsunami of joy that brought tears to my eyes when I watched Ashley and Nathen perform their lovely tender dance of humanity at the conference. This was a moment of healing light and grace that I will never ever forget. Truly it is beyond words. Nathen is an 18 year old young man with down syndrome. He takes dance classes with the key note speaker Ashley Anderson. His story is amazing. He embodies dance, like a dancer at Ballet West. He takes it very seriously. I wish you could see him and Ashley warm up. See Ashley Anderson & Nathens Performance

As I started this class  I was also in Foundation II Painting class. One of the assignments was to create a painting using only pure color. No black or white for mixing shades and tints. I couldn’t help thinking about how my life would be without black or white. It struck a few nerves. I always explain the diversity in my family by saying, “I come from a long line of open-minded lovers”.  Which may or may not be true. Maybe some of my ancestors weren’t given a choice when they created the child who was within my ancestry.

I have Mexican, German, African-American, English, Irish, Scottish, French, Middle Eastern, Native American, slaves and slave owners within my family dna. At one time or another these races were at war over prejudice, land or money. I wondered if they still fight within me. Is that the fear or rage that comes through and stops me from “fitting in”? Maybe feeling at odds or out of balance is them telling me to sit and hear their stories of collective oppression, fear and sadness, so that I can truly have justice within me.

Once I spoke with Karol Truman author of “Feelings Buried Alive Never Die”. She and many other healers believe that trauma leaves an imprint in our dna and is passed down from generation to generation attracting more trauma in our lives. The only hope for healing it is to acknowledge the journey or the story of the trauma and come to understand its influence.

I thought of the imprint of pain and misunderstanding because of the black and white mentality that cripples humanity. I thought about how I could create justice for them within me. I felt them say, “you must know our story before you can understand how to heal it”.

I visualized them all, speaking of their lives and their journeys, asking to be heard, forgiven or accepted. I wanted to hear them all. I wanted to heal them all. I saw them making peace with each other in another realm where no black or white was allowed, just the pure colors of their essence.  They were my inspiration for these paintings.

I see them all dancing within me.

I see them in the face my grandchild.

Changing the world begins within, outside of black and white.

At the conference I explained why I care about justice. I spoke about the 1980 murders of my friends who were with me as we jogged in Liberty Park. We were shot for “race mixing” by a racist serial killer who was  suspected of 39 murders and convicted of 22 murders in 12 states. I am 1 of 4 survivors from his violent rage. It was a life changing moment in our lives and the lives of our families.

I saw a man come closer as I spoke to the first people who asked about my paintings and why I care about social justice. He turned pale. I asked if he was all right. He said, “I was a little boy in the store across the street when you were shot. My aunt gave the boys cpr on the street. We have worried and wondered about you all these years. How are you?” This was somewhat shocking for both of us. We spoke at length and when he left, he mentioned that his aunt recently passed away. He seemed glad for the closure of meeting me. I felt humbled at the thought that there were so many affected by that horrible night but by some extraordinary coincidence we met at this event a few weeks after his selfless aunt passed away.

I have a hard time getting to comfortable with people and exposing my vulnerable heart when it comes to healing racism. But as I kept telling my story to those who asked why I was there, it became less painful to speak about it. I felt safe and supported and less broken.

I am in my late 40’s now and I am a grandmother to 2 wonderful little girls. They give me the courage to keep trying to make this world a better place than when I arrived. They come with our

family to my “social justice” rally’s, marches and speeches. I hope that they feel the connection of collective joy and conscious that I feel when we participate in the journey to justice, with other like-minded people in my community.

10 years from now I will look back on this experience with reverence and appreciation for the kind wonderful people who participated and believed that the journey to justice is not for one, but for all. We are all the change we wish to see in the world and I am grateful I was a part of it.

Womens Congress For Future Generations

I have been home 9 days and I still wake up and wish I was l in Moab. I can’t believe how many wonderfully weird this 3 days turned out and every day since. For 6 months before I was aware of this event, I dreamed of red cliffs and sand.

I was guided to consider the Women’s Congress For Future Generations, WCFFG,  by a facebook friend who has been one of my guides and helpers from a distance since I was 27 years old.

Below is the copied info from the website and reason I chose to attend the Womens Congress For Future Generations, http://www.wcffg.org/

About

Why have a Women’s Congress for Future Generations?

The environmental problems facing Earth challenge our concepts of time and how we think about future generations. Most laws are appropriate for 25 years or less, essentially one generation. But climate change, mountain top removal, fracking, mining and drilling, and species extinction are no longer our legacy to the 7th generation but to the 10,000th generation and beyond. Radioactive waste sites, for example, are hazardous for 250,000 years or longer, essentially 10,000 generations.

Over the past year, women of all ages, cultures, and backgrounds have been quietly working on these issues. Conversations have been held in the kitchens of long time environmental activists. They have been held on the frontlines of civil disobedience by young activists resisting fracking, nuclear power, and mountain top removal. They have been held in the halls of academia, in the dream world, and in political arenas. It is time for a larger conversation and to transform conversation into action on behalf of the future. It is time for women to speak from our authority as the first environment for future generations. It is time to rise up and claim this authority so we can sing lullabies, not requiems, to future generations.

Who we are
We are a group of women who have come together to plan this Congress and dream. Our central organizing team and affinity support groups include writers, dreamers, public speakers, organizers, lawyers, academics, grandmothers, mothers, sisters, filmmakers, and artists. All are committed to issues of women, health, justice, and the environment. Our elder circle includes luminaries such as Joanna Macy and Mona Polacca, one of the thirteen Indigenous grandmothers. Our fiscal agent is the Science & Environmental Health Network.

Why hold this in Moab Utah?
We have chosen Moab because this beautiful land, the Colorado River, and ancient sacred sites are threatened with fracking and a proposed nuclear power plant. We believe our presence in Moab can stop these threats to our common, treasured heritage. In addition, we had dreamers who dreamed that Moab called us to hold it there.

What are the goals of the Congress?

  • To convene and create together the future we desire.
  • To craft a living Declaration of the Rights of Future Generations and the Responsibilities of Present Generations through word, art, song, and performance.
  • To transform public dialogue about our collective future.
  • To begin an inquiry about what tools and skills an emerging civil right movements for future generations might need to move forward.
  • To define how women can honor, embody and translate the sacred feminine spirit into the realm of direct political and social action.
  • To empower women’s voices and leadership to address the challenges before us.
  • To embrace all women, and to address barriers that might otherwise diminish the fullest and most diverse gathering of women.
  • To carry forward this work in ways that draw strength and wisdom from parallel and kindred gatherings, and from an ever-widening circle of women.

Being short on funds, I sent in an application for a scholarship to attend the WCFFG in Moab. I received the scholarship and was given food, workshops and a camping ground to stay in. We arrived on Thursday night and slept beneath the most beautiful iconic red rock cliffs next to the Colorado River.

The next morning I checked in, wearing my granny’s charm bracelet with my sisters and my charms she had with our name and birthdays. I have been dreaming of my ancestors in vivid beautiful colors. Colorful symbolism and creative energy offers answers and questions that speak to healing the trauma from the past and concern for the future of my children and grandchildren.

The first workshop was the Theater of Oppression. It was an exercise that had 6 groups of people who created a living sculpture or scene of oppression. We chose the one we wished to explore further.  This scene was one of a young teen mother who had a father with his arms crossed and his back to her, a mother with a worried look on her face and her hands on her daughters shoulders, a woman pointing a finger in accusatory judgement and two people that hoped to adopt her baby. As the scene progressed any one could say stop and and take over the role of someone in the play. They could change the direction by offering a different point of view or way of interacting. I couldn’t believe no one asked the woman playing the pregnant teen, what she wanted to do with her baby. NOT ONCE!

At one point an elderly man and woman were jumping in and trying to interact but they weren’t being respectful to each other and were quickly reminded to be civil. Eventually two women said they would be part of the community to help raise the baby and support the mother. Which seemed like a good idea at that moment.

Out of nowhere, a woman in her 60’s was shouting and crying that there is no community to help single teenage mothers. She spoke of her pregnancy and how she was abandoned and left to figure it out on her own as a college student. Everyone was stunned and shocked to the point of not knowing what to do or say. Then another woman in her 50’s stood up and spoke of a pregnancy at the age of 17 years old. She was forced to marry the 15 year old father of her baby. She said her mother made all the dresses for the wedding and cried with every stitch sewed.

A woman in her 30’s came forward crying. She said that she was pregnant at the age of 15 and her mother supported her decision to have an abortion and now she lives happily without having any children. She said she was grateful for the opportunity to have a choice in her future and she chose to not have children.

Initially, I thought this doesn’t apply to me, thank goodness. But I learned by speaking to others that this story applied to all women. My mother was 17 and married when she had me. She married at 16 and a year later gave birth to me. My daughter was a teen mother at 18. I was astounded at the level of judgment, shame and exclusion directed at her and me for raising her “that way”.

Over the course of the next few days I went to each woman who spoke and thanked them for sharing their story. I learned more details of their story that all seemed to be very familiar and common in the themes of the life of a woman in this world. The things that stood out most to me where the facts that females are directed through shame, fear, loss and judgment as soon as they can communicate. We are guided through incredibly challenging circumstances by those 4 oppressive energies.  Often we do it to other women. But sometimes we don’t realize, while we are silenced into continuing the cycle of oppression, we do it to ourselves.

After lunch we each chose a group of elements or living beings where we felt an affinity. I had to chose within seconds of learning where everyone was going. So I chose the air animal group. I met with 8 other women and we each chose an animal or insect and use 3 descriptions of what them. I had originally wanted to select honey bee, then dragonfly, then owl, then bat. But every time someone stood up to choose what they had in mind, my selection would be taken. Finally, my turn came. I chose a hawk with the description of hawk attributes; seeing from above, protection of chicks, independent. We discussed what they would say if they could speak, what they needed us to know and our responsibilities to them. We created a proclamation and bill of rights for them.
At the end of the workshop each group presented these well considered ideas and said the Congress was charged with creating a legal document to present to our political leaders that would be a step towards addressing the challenges faced by our planet and her children.
That night I met a teacher of one of the workshops when we found that she was sharing our campsite. We were too exhausted to talk and turned in early. She left the next morning at first light.

The following morning we were given several choices for the next 2 days of workshops. It was hard to choose. They were all so fascinating to consider.  While we were deciding which workshops to choose, we heard a celebration outside the building. We all went outside and watched as the LGBT marched in solidarity for equal rights. We cheered them on and as the flag is paraded in front of us, I notice that one of the several people holding up the flag is my nephew. I called to him and he and I embraced. Many of the parade members hugged the women from the congress. It was a beautiful moment.

After we went back in the building, I chose a workshop that was led by one of the women in the air animal group. It was also selected by 2 other women which made it easier to interact and connect. This workshop was about our maternal grandmothers birth and the environment where they were born and grew up. How environmental factors affected her life and her daughters and mine.

The leader of the workshop came from a grandmother who was VERY financially privileged her whole life. She was born in San Francisco  at the time of the gold rush. Her water was exposed to mercury flushed into main water sources. It used to filter the gold from impurities. She slept in a beautiful bassinet that had been passed down to all her children and grandchildren. It was painted with lead based paint. She had the finest of everything but those things were toxic and the illnesses related to those toxins were passed down to her descendants.

I didn’t want to discuss my mothers mother. We never got along and I didn’t know much about her birth and environment except that she was poor and lived on the land. Which sounds better than drinking mercury laced with toxins. In our sharing I realized that the environmental factors were more complex than the water, food and air. While my grandmother was most likely not exposed to those toxins, she was exposed to different toxins; racism, pedophiles and a life of things she couldn’t do because of her lack of education. Which ironically was passed down to all of her descendants.

All of the women, but me, were born through a mother who was drugged and bore her children through a cesarean section or forceps. If delivering in a hospital there was a procedure to follow;  make a delivery appointment that was convenient to the doctor’s schedule, drug the mother,  tie her arms down with lambs wool covered straps (they didn’t want to upset the HUSBANDS by showing bruises on the women) and they would force forceps inside her and pull the baby out or cut it out of her. That sounded pretty painful, unnatural and violent for the mother and child. As though, the schedules and feelings of the men, doctor or husband, were more important than the mother or child. I walked away grateful my family didn’t have the money to have babies in hospitals back then. Maybe that is why there is an abundance of good health and long lives in our family.

Later, we listened and voted on the draft of the language for the bill of rights and proclamations for the elements and animals represented. We each had the opportunity to critique it and vote on how we wanted it to be reflected in the bill.

That evening, under a full moon we all gathered at the bridge close to our campsite. We joined in prayer for the healing of our polluted waters while two people played the drums on huge Japanese Taiko drums. As the prayer was finished, someone read a piece by Alice Walker (one of my favorite writers of all time. She published a piece of work that was very similar to our bill, within minutes of the end of our prayer.

It was all very humbling an heart expanding.

Susan and I both chose a hike that was actually in the area of our campsite. Neither of us knew it, but we were camping on sacred grounds. We explored the feminine rock art symbols of Basketmaker society 2000-3000 years ago.  To see this sacred symbolic artwork see:     http://www.youtube.com/watch?v=IxAtWbpK9oo

At one point, we stared at the vast canyon as women chanted and sang a beautiful Native American song about women awakening to their new day. No one was left without a tear. It was inspiring beyond words. I felt the presences of all my grandmothers. Even those from hundreds of years ago. I had dreams of messages from them.

That night when I arrived at home, I stood in the shower and thought about the experience. I heard a voice of a young woman. I could see her when I closed my eyes. She said, “You think your survivors guilt for your sisters is because of YOUR past. But you don’t understand that also came from me.” I said, ” who are you and why would it affect me?” She said,”I am your grandmother. My sister and I were kidnapped by Indians when I was a young girl. I escaped without my sister. We were never reunited.” Then she turned as if looking behind her and said, “You’ll get your turn! It’s my turn now!”. “You forgave your maternal grandmother. Can you forgive me?” Then she was gone.

I was shaking with the thought of trauma, survivors guilt, rape and kidnapping in our lineage. I called my aunt and asked if we had a grandmother kidnapped by Indians. She said that we did. She met her when she was a child. This grandmother was cruel and vicious. She was abusive to everyone including her handicapped son. When she died at the age of 104, my great grandfather refused to attend the funeral.

The next morning, I was staring at the window deep in meditative thoughts of healing my sisters and myself. Out of the blue I see what appeared to be young girl running to my back door. She was see through. Like a ghost. Then it looked like she hit the door, BANG!, and  ran away as she quickly became invisible from her feet to her head.  I ran and opened the door. Ran outside and there was a HAWK, my totem air animal,  flopping on the grass in the back yard. Her feathers were strewn all over my porch. She flew away as soon as I got close to her. I live in the CITY. In my 48 years of life, I haven’t ever seen one in my yard. EVER.

I went to my class a few minutes later. Somehow I chatted with a young woman I haven’t ever spoken to before. We started talking about the white women who were kidnapped by the Comanche Indians. She turned white and said, “I am reading about that very thing right now.” I was stunned again. When we saw each other again she brought the book for me to read. I opened it and randomly read about Daniel Boone’s granddaughter who was kidnapped. Then I remembered that Daniel Boone is one of my ancestors.

Every day one beautiful new piece of insight comes to me from this experience. I believe it is divine grace that I was allowed to be a part of this journey. I want to carry it forward in my village and help further the healing in myself, my family and my fellow living beings. This is just the beginning.